Chorus Of Calls For Scotland’s Own Eurovision Song Entry
It was an appropriate title. Now, the embarrassing failure of
Don’t Play That Song Again, Britain’s Eurovision Song Contest entry, has prompted politicians and
musicians to demand that Scotland be allowed its own entry in future.
Pop stars including Jim Kerr, the lead singer of Simple Minds, have joined the
Scottish National Party and the Liberal Democrats in demanding that
Scotland be allowed to avoid such shame after Britain finished 16th out of 24 on Saturday night,
behind countries such as Latvia.
They believe that Scotland could do no worse - and that the example of a Celtic neighbour proves we could do
significantly better. "As the Irish know, if you do it well and get success it brings you a lot of popularity,"
said Mike Russell, the SNP’s culture spokesman. "It can cost a lot, but I’m quite sure we will
take part. We have to use the talent of the very best Scottish song-writers."
Mr Russell said a Scottish entry would be viewed by about 200 million people in 30 countries, plus an
estimated six million others on the internet. "Those figures represent an economic opportunity not to be
missed," he said.
A culture spokesman for the Scottish Liberal Democrats, Ian Jenkins, said Scotland had every
right to take a place in the competition and described the notion as a "lovely idea", but the Borders MSP said
it could pose problems for the organisers.
"We could enter and we could very well win, but if we were admitted other regions like Bavaria and
Catalonia might also look to join. If that happened the contest would be a week long and, to be honest, three
to four hours is enough."
Jim Kerr said Eurovision’s traditional use of political voting meant Scotland would have a
great chance of winning. He said: "We should enter it. Scotland is a popular nation, and just being Scottish
brings a lot of goodwill. We would probably get all the points that England wouldn’t get, and, with the Auld
Alliance, we could expect 12 points from the French every year."
Scottish artists have entered before under the British banner. Lulu triumphed in 1969 with
Boom Bang A Bang.
The contest has been held in Edinburgh, when Moira Shearer hosted it at the Usher Hall
in 1972, but there have been failures too. Kenneth McKellar was Britain’s entry in 1966, but
his song, A Man Without Love, sank without trace.
Ronnie Browne, who, as part of the Corries, made Flower of Scotland
the country’s unofficial national anthem, agreed it was a chance to sell "Scotland the Brand" to the world.
"Riverdance came from a performance at Eurovision, and if you look at what that has done for Irish music across
the world you can see how powerful the event can be," he said.
The debate over an independent Scots entry comes amid increasing concern, however, that the Eurovision Song
Contest is being devalued. The most successful Eurovision entrant ever, the Irish singer Johnny Logan,
said the event had been turned into karaoke because competitors had this year been allowed to use backing tracks.
Mr Russell said: "It’s become a bit devalued in recent years because a lot of the entries appear to have been
written by formula.
"Countries that have been successful are those that have been individualistic, and we are certainly individualistic."
Fish, the former lead singer with Marillion, said entering Eurovision would be
political suicide for a young band. "A lot of these songs seem to have written by tired writers who have nothing
better to do than write a song for the Eurovision Song Contest. Until it gets through to a different age group,
it’s never really going to work.It’s a middle-aged view of what pop music should be."
Scotsman Newspaper
15/05/00